Anytime anybody wanted a photograph of a modern house, Uncle Julius provided the picture.”īut he didn’t just photograph California Modernist houses. As Shulman told The Los Angeles Times in 1994: “I was lucky to be doing the right thing at the right place at the right time. Neutra liked the images and hired the photographer for subsequent projects, soon introducing him to an entire community of leading and emerging architects. In 1936, an acquaintance, who worked for Neutra, asked Shulman to take a few shots (with his amateur Kodak Vest Pocket camera) of the architect’s nearly completed Kun House in the Hollywood Hills. Though he earned an A in the only photographic course he ever took (in high school) and sold occasional snapshots while briefly attending college at UCLA and Berkeley, he fell into a photographic career by chance. As a Boy Scout and through much of his life, he hiked the local mountains, cultivating a love of nature and awareness of light, which, he later suggested, deeply influenced his photography. Though he’d never met an architect until his mid-twenties nor aspired to a career behind a camera, he revolutionized the barely existent field of architectural photography.īorn in Brooklyn, to immigrant Russian Jewish parents, on October 10, 1910, he grew up on a Connecticut farm until his family moved to Los Angeles when he was 10. Julius Shulman & Juergen Nogai, exhibition at Craig Krull Gallery, Bergamot Station, 2525 Michigan Avenue, Building B-3, Santa Monica, CA 90404 July 4-August 22.Īfter a career spanning seven decades-and a client list running the gamut from Neutra to Rudolf Schindler, Frank Lloyd Wright, Charles and Ray Eames, John Lautner, Eero Saarinen, Mies van der Rohe, and many others, both famous and little known-the legendary architectural photographer died on July 15, a few months shy of his 99th birthday. Visual Acoustics: The Modernism of Julius Shulman, a documentary film by Eric Bricker, is slated for theatrical release in October.Special collections of unique materials, primarily works on paper - rare books, prints, and photographs, deepen the research resources along with an expansive photo archive. Its extensive library collections include books, periodicals, and auction catalogs. The Getty Research Institute is dedicated to furthering knowledge and understanding of the visual arts, by providing resources for art historical research. He created one of the most comprehensive visual records of the development of modern architecture within Los Angeles and throughout the changing landscape of Southern California. Shulman is acclaimed for his iconic images of mid-century modern buildings. From 1945 to 1966, Shulman photographed projects from the Case Study House Program, an experimental initiative that commissioned known architects – Neutra, Soriano, Craig Ellwood, Charles and Ray Eames, Koenig, and Eero Saarinen – to design inexpensive and innovative homes during the post-World War II housing boom. Davidson, John Lautner, and Pierre Koenig, among others. Schindler, Raphael Soriano, Gregory Ain, J. Through Neutra, Shulman secured commissions to photograph the work of California-based architects – R. The complete Shulman archive comprises more than 260,000 negatives, prints, transparencies, and related material, spanning the career of Julius Shulman (1910–2009) and documenting the development of modern architecture in Southern California. ![]() ![]() The Getty Research Institute (GRI) has contributed approximately 6,150 highlights from the Julius Shulman photography archive to the Artstor Digital Library (Artstor provided the digitization support in this initiative). His public sculpture may be seen in cities worldwide and his work is included in major collections including The Metropolitan Museum of Art, the Storm King Art Center, the Tate Collection, and the Solomon R. He also published several books of his photographs, including: The Artist in His Studio (1960, 1988) Greece: Gods and Art (1968) Marlene: An Intimate Photographic Memoir (1992) Campodiglio: Michelangelo’s Roman Capitol (1994) Then: Photographs 1925–1995 (1995) and Prayers in Stone (1998).Īn artist in his own right, Liberman is best known for his large-scale metal sculptures. ![]() He worked in editorial photography at Vogue Magazine and Condé Nast. Born in Kiev, Liberman (1912–1999) studied in London and Paris before immigrating to the United States in 1941. The full Liberman Archive comprises more than 148,000 photographic prints and related materials dated from c. The collection in Artstor represents Liberman’s portraiture. The Getty Research Institute (GRI) has contributed approximately 1,400 highlights from the Alexander Liberman photography archive to the Artstor Digital Library (Artstor provided the digitization support in this initiative).
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